
Film & motion studio — Glasgow
Stories, shot properly.
Commercials, brand films and documentaries for people who care how things look — and how they make you feel.
See the filmsSelected films
Hover or tab through the list to see a still from each film. Every still is an illustrative photograph; the films are fictional.

The Last Ferry
The final winter of a lifeline crossing, told by the crew who ran it.
- Type
- Documentary short
- For
- Island heritage trust
- Runtime
- 18:40
- Year
- 2026
Still: photograph by Jaakko Kemppainen / Unsplash — illustrative, not Longshot footage.
- 01The Last Ferry2026 · 18:40

Still The Last Ferry The final winter of a lifeline crossing, told by the crew who ran it.
Photograph: Jaakko Kemppainen / Unsplash
- 02Night Shift2026 · 02:30

Still Night Shift The people who keep a city's wards running between midnight and dawn.
Photograph: Nathan McDine / Unsplash
- 03Hand & Grain2025 · 01:00

Still Hand & Grain Sixty seconds of a single chair, from rough plank to finished joint.
Photograph: Minh Đức / Unsplash
- 04Above the Treeline2025 · 00:45

Still Above the Treeline One walker, one jacket, the first light through the fog.
Photograph: Zetong Li / Unsplash
- 05Harvest Light2024 · 03:15

Still Harvest Light Three generations and the barley they wait on all year.
Photograph: Aspa Styl / Unsplash
What we make
A small Glasgow crew: one director, one cinematographer, one editor, and whoever the story needs.
- 01
Commercials
Thirty and sixty-second spots for broadcast, cinema and online, from script to grade.
- 02
Brand films
Two-to-five-minute stories about the people behind a business, shot where the work happens.
- 03
Documentary
Observational shorts and series, shot with a small crew that stays out of the way.
- 04
Social cut-downs
Every shoot delivers vertical and square edits, captioned and ready to post.
- 1 director on every film, from treatment to grade
- 6K cinema cameras, owned not hired
- 2 rounds of changes, always included
From idea to final cut
A typical brand film takes six to eight weeks end to end.
Pre-production
2–3 weeks
Treatment, script, casting and a shot list you sign off before anyone books a van.
Shoot
1–4 days
A crew of three to eight, cinema cameras and a director who has done it before.
Post
2–3 weeks
Edit, colour grade, sound mix and music licensing, with two rounds of changes.
Delivery
Day one
Masters, cut-downs, captions and stills — every format you need, named properly.